Thursday, December 15, 2011

"My Week with Michelle", Disappointing Casting

I haven't seen the Golden Globe-nominated film "My Week with Marilyn" yet, but I don't really have any interest to, either. For basically one reason in particular:  I hate the movie poster, just despise it.

Michelle Williams was amazing in "Blue Valentine", as was Ryan Gosling. She has a knack for conveying a raw vulnerability, the kind I would liken to a doe walking in the woods while a hunter is watching, sniper window at the ready. She is a master at this vulnerability, and it is authentic. But man, those posters. They just are blatantly Michelle Williams Acting as Marilyn Monroe, that finger in the mouth. Ick, so contrived. I don't have to watch the film to know she didn't inhabit the character at all, because she was miscast.  

Marilyn was a sex icon, and always will be in a different way than Sophia Loren, Liz Taylor, or Jane Fonda, as she was immortalized before her time. But you don't become a sex icon on vulnerability alone. My impression is the former small-town girl Norma Jean was tough, brassy, saucy, lethal, and intelligent, all rolled into one at her core. Vulnerable and unbalanced are really just surface adjectives for her appearance to the world around her and at-large. Williams does more justice to Monroe's surface view, rather than the troubled actress's inner life, especially on this freaking poster.  


Christina Hendricks would have gone gangbusters on the role of Marilyn. Not only does she better fit the physicality of Marilyn, but it would have been a perfect stepping-stone for her from the character of Joan on "Mad Men". Right now (in rapt anticipation of the next season), Hendrick's character trajectory on the show has been Joan does not always win in love, but she refuses to let it keep her down. She remains a harbinger of hope for shrinking violets. Joan breaks down walls set up in place for woman during that time period of the '60s, balancing her sexuality with authority in the workplace, a rare feat. Even in current times, sad to say, her presence would probably raise some eyebrows, as her feminine curves would be construed as "wiles". But instead of using her sexuality to "win a man" so she can marry and have children, as was apropos among secretaries at the time (at least on "Mad Men"), she wields it to her advantage. Not to mention, does so with dignity, savvy, humor, and sophistication.




The resemblance is uncanny, is it not?



Sounds pretty similar to Marilyn, in a sense. Marilyn exposed herself for all of the world to see, comment on, and judge her identity, which I daresay is brave, if nothing else. She could not preserve her self-identity in it all, but who's to say she didn't try? Rendering her as unbalanced and needy, with self-descrutive vices, is both simplistic and disappointing. It's a cheap way to expose her vulnerability within the character of a film. Award-winning film, apparently, nevertheless. Marilyn was once a real person, not just an idea simmering in the cultural lexicon, of which there are plentiful derivatives, one in particular Lindsay Lohan. Lohan more and more seems as if trying to emulate Marilyn in her downward spiral, eyeing the cameras on court dates, while burying her inner life deeper and deeper past day-to-day reality.

And why in the world was this film nominated for a comedy on the Golden Globes? Just goes to show, if anything, The Weinstein Company is an ace at making pretty good films and doing some pretty damn good business. And at entertaining Hollywood-borne archaic notions of women as talent in the meanwhile.


Tuesday, December 6, 2011

Lemons into Lemonade

Print ad from Amsterdam Ad Blog meant to convey the natural ingredients used in this brand of ice cream. There is some really great creative out of this country, am I right? Question:  Does it have anything to do with wooden clogs?

Making-of Heineken commercial, awarded Eurobest's Winner for 2011's film category, by Wieden and Kenney Amsterdam. Advertising a lot of times works with huge budgets, and the amount of detail that went into this actual commercial is staggering. Especially because it breezes by so fast, you don't quite catch all of the detail.  

Clogs by fashion designers Viktor and Rolf. Their website is so wackadoodle, it's OFF THE HOOK. 


As of January, cannabis cafes are not open to tourists anymore. The Red Light district still gets a green light for foreign perusal of other vices? Tad contradictory if so.




Monday, November 28, 2011

Chicago Heart

I saw on Roger Ebert's Twitter feed Maggie Daley recently passed away from breast cancer. I worked on a behind-the-scenes video for Dreaming Tree Films when I lived in Chicago on one of the schools involved in After School Matters. This is such a great program and contribution to the city, it really helps out talented kids that wouldn't have opportunities to think about extracurriculars like art, otherwise. I remember interviewing the kids involved, and my co-producer and I noticed some of them didn't have much, but with positive emotional support from their family, they were happy. And that's what matters anyway, right? A sentiment that speaks to the holiday season, but which Maggie Daley encompassed for the people of Chicago, not just her own family.

Monday, November 21, 2011

Creative Delays, IST

My impression is there are still a lot of Westerners when they think of India, they visualize cows in the streets, overpopulation, an absence of traffic lights. Those impressions are actually not too far off the mark, but what makes India unique is its breadth of creativity, enabled by the freedom to pour forth from its oceans of people. Except now, I seem to have spoken too soon. Tricky in a democratic society, to conclude it's possible to censor public dialogue about government officials, but not Bollywood stars. Meanwhile in China, artists like Ai Weiwei can't even Tweet without the government getting all 1984 about it.

Nevertheless, I am a total fan of the Wieden +Kennedy Dehli office blog page. They did the advertising campaign for IndiGo, the only airline in India I hear right now that isn't getting plagued with delays. And they've also put together this great resource for hip, trendy, and artistic things to do, see, shop for in India, The India Tube. There are some archaic elements about India that probably won't change anytime soon, this is all but certain. But it's always a nice idea to appreciate what I think is an Indian cultural mantra; stop watching the rain and wait for the sun to break through the clouds instead.


Post updated 12/06/11.



Photo from W + K Dehli

Monday, October 24, 2011

Hillary Humbled

Wow. So not even considering another presidential run, in any capacity, whatsoever. That leaves Republican Michele Bachmann to represent the ladies thus far? Ouch. The Hillary of times past seems to have disappeared: What's with the shoulder-length hair, bright toothy smile, and "Oh my goodness, no" look in her eye at the suggestion? And sense of camaraderie with that model-perfect Today newscaster? Ugh. Make me wistful for the ball-breaking hard-ass Hillary of yore.

Well, in other news, Bobby Jindal was re-elected governor of Louisiana. An underdog by default, he was the first Indian-American governor, elected in 2007. My bet there are a fair share of Republicans eyeballing Jindal with a greedy look in their eye for party considerations down the road. Probably a little more legit cause than Herman Cain and his abortion stance.



Think Different. Words of Wisdom by Steve Jobs (and ad agency Chiat Day).

Apple did a revolutionary commercial TV spot in 1984. 1984 was the year of George Orwell, Apple's ground-breaking Superbowl ad, and IQ84 is the title of Japanese author Haruki Murakami's latest book, the English translation over 900 pages. It was an inspiring year, marked by great works then and now.

Apple's headquarters held a tribute to Steve Jobs in Cupertino, CA, which you can watch on the company's website, here. During the tribute, Cook also quoted from Jobs (Steve Jobs, not the religious text--I will paraphrase the quote) simplicity can be harder to achieve than complexity. That's why the tagline "Think Different", the very definition of Apple as a brand, encapsulated both the company and what its achievements meant and would mean to the world, in such a perfect and I daresay American way. It's not just where we've been, but where we're going together that matters.

The company's successive CEO, Tim Cook, said the spot following that mind-blowing Superbowl ad was initially supposed to be narrated by Steve Jobs. But then Richard Dreyfusss did instead, to ensure the meaning of the ad stayed with the company, rather than glorify Jobs's role. I have to say, the Jobs version is way better, but the creative choice was probably apropos at the time. Text from the narrated spot enclosed below, as well as video:


Here’s to the crazy ones, the misfits, the rebels, the troublemakers, the round pegs in the square holes… the ones who see things differently — they’re not fond of rules… You can quote them, disagree with them, glorify or vilify them, but the only thing you can’t do is ignore them because they change things… they push the human race forward, and while some may see them as the crazy ones, we see genius, because the ones who are crazy enough to think that they can change the world, are the ones who do. – "Think Different", narrated by Steve Jobs






Monday, October 17, 2011

Just Drive

























Saw "Drive" in the theaters! Highly, highly, recommend. Especially if you live in L.A., namely downtown L.A. A lot of the film was shot 'round these here parts.

Track by Kavinsky with vocals by Lovefoxx of CSS posted here. You're welcome.

The film was actually based on a book by James Sallis. How about that jacket on the cover? Ridiculous.

Save Conan!


I blogged before about Team Coco!'s online site and how it was true to the Conan "brand". Not to mention, much more so than any other late-night host. Advertising Age recently posted a story on Conan pitching its reach online to advertisers. But dollars and sense-wise, the real deal is how the show does on TBS in the ratings war for TV viewership. According to the article:

Turner is making the case that Mr. O'Brien's combined online and TV audience reaches 20 million people between 18 and 49, and telling sponsors they recall ad messages a few percentage points better than is the norm for people who watch late-night talk shows. The average time spent viewing "Conan" content on his website, TeamCoco.com, has increased 30% since the show launched, and the average time spent per visitor on the site has increased 103%, according to Turner. On Facebook Mr. O'Brien has 1.7 million "friends," according to the network-more, as it turns out, than his average TV viewership in his first year on the air so far.

To attract the show's target demographic, Conan should probably just focus their media strategy online, rather than trying to win over a bigger TV audience. It seems like the dapper late-night host has a shot at staying on-air by better informing that strategy, rather than pitch to the obvious rote.

ConanOBrien Conan O'Brien
Just found out that was also the name of the Chanel softball team.
52 minutes ago




Wednesday, June 8, 2011

Rep. Weiner Lives Up to the Name

Wedding photo published in an issue of Vogue in 2010.

Great profile on Weiner's wife, Huma Abedin, published in Vogue 2007. Abedin is Senator Hilary Clinton's top aide in the State Dept. What a travesty. At least she didn't change her name. Weiner is probably headed for a key position behind the counter at Frostee right about now:

Hillary's Secret Weapon; Huma Abedin oversees every minute of Senator Clinton's day.


Byline: Rebecca Johnson
It's the morning after the second set of Democratic debates.

Huma Abedin has had three hours of sleep and four cups of coffee, but her black Prada suit is wrinkle-free, her skin is flawless, and her long, luxurious hair is blow-dried into the kind of bouncy waves you see mostly in shampoo commercials. Her mind, however, is on her boss. As Hillary Clinton basks in the adoration of 500 of New York's most powerful women, all of whom paid $250 a head for breakfast, Abedin watches proudly from the back of the room. "We're on such a high from last night," she says. "I was so nervous I got teary. It was like watching your kid go off to kindergarten, but I thought she did great."

Today, however, is a new day with a new set of problems waiting to be solved. At the moment, it's the generic ballroom in a Hilton hotel, which looks too much like, well, a generic ballroom in a Hilton hotel. Where are the Hillary banners? Or the floor with the campaign logo that looks so good in photographs?

"It's just," Huma explains, clicking away on one of the two BlackBerrys that constitute her traveling office, "you want everything to be perfect."


Actually, the banners could be anywhere. For the previous ten days, Hillary Clinton and Huma Abedin, her traveling chief of staff, have been flying around the country nonstop. First Northern and Southern California, followed by Las Vegas, Iowa, then New Hampshire. Today in New York their itinerary is six pages long, with the day sliced into fifteen-minute increments. After the breakfast, there is a private meeting with a local New York politician, followed by a meeting with magazine editors, a photo shoot, an interview, then back to D.C. and yet another debate with rivals Barack Obama and John Edwards. It's a schedule no ordinary person could maintain. But, then, Hillary Clinton is no ordinary person. Neither is Huma.


"Both Hillary and Huma are extraordinary people who are also workaholics," says Oscar de la Renta, who has often hosted the two at his house in the Dominican Republic. "The E-mailing! It never stops. I tell Hillary, 'Just because you are working in the sun, that doesn't make it a vacation.' They are lucky to have found each other."


"I don't think you could say they are like mother and daughter. It's more like an older sister-younger sister relationship, but it's definitely familial," according to a longtime Hillary friend, actress Mary Steenburgen.


"I'm not sure Hillary could walk out the door without Huma," says Clinton adviser Mandy Grunwald. "She's a little like Radar on M*A*S*H. If the air-conditioning is too cold, Huma is there with the shawl. She's always thinking three steps ahead of Hillary."


Abedin is remarkably cheerful about holding shawls-"There's no detail too small for me," she says-but there's a lot more to her job than that. "Huma does make the trains run on time," says Bob Barnett, the Clintons' longtime personal lawyer, "and she does it well, which is important when you are as in demand as the senator is. But she also has an incredible ability to remember people and get things done. I'm always looking to her for her judgment and encyclopedic knowledge of what's been said, where, and by whom."


Among all of Abedin's qualities, however, the most important may be the most ineffable-she says "no" better than anyone. "A lot of people who are in jobs with major public figures tend to get sour and exclusive over time," says Barnett. "Huma is the opposite. She is always inclusive. She makes people feel good even when she's saying no." And there's a lot of no when your boss is one of the most famous women on the planet, running for president.
"Campaigns are unwieldy, hard-to-control things. Decisions have to be made on the fly; you need somebody you can trust at that moment," explains Mike Feldman, a Huma friend and former traveling chief of staff for Al Gore during his presidential campaign. "The senator and Huma have a unique relationship. Watch them together, and there's this nonverbal communication between them. Sometimes it's as little as a glance, but the senator knows she can hand off a head of state, a senator, or an important donor to Huma and that the conversation is going to end well."

I once saw a movie that spoofed beauty pageants by having a contestant pack a suitcase as her talent. Watching Abedin fill her suitcase for that ten-day trip, I realized the movie had it wrong. Packing is a talent, one Abedin has clearly mastered. (Note to self-folding jacket on the horizontal makes much more sense.) "I've learned over the years how to do it; I don't even bother with what doesn't work anymore," she explains as we sit in the bedroom of her Washington, D.C., apartment, a sleek, loftlike space with a view of the Capitol in the background, a bright-green bedspread on the bed, and a bookcase filled mostly with political books, including a prized edition of Bill Clinton's My Life translated into Arabic.

Each outfit-a black-and-white checked suit, a white silk shirt, the black Prada suit-is mentally slated for a destination. "It's the only way to do it," she insists. Watching her pack also answers a mystery: Those bouncy waves of great-looking hair? Be prepared to carry around a professional hair dryer that weighs at least five pounds.
Looking through Abedin's closet, you can see the progression from a young college graduate who wore Ann Taylor suits, thrilled to land a job as an intern in the White House, to, eleven years later, a Chanel-wearing, deeply confident 32-year-old woman whose BlackBerry contains some of the most famous names in America-she lets me look only if I agree not to say who. (I do manage to learn she has been close with actor John Cusack and Lance Armstrong.)

Truthfully, she was a little disappointed when she was assigned to the First Lady's office in 1996 instead of the press office, as she had requested. And not just because she comes from a family of Independents and Republicans. Didn't her new employers know about the plan she'd hatched at fifteen to become the next Christiane Amanpour? No matter. Once she actually met Hillary Clinton-on the infamous intern line, in Arkansas, after President Clinton's reelection-she was hooked. Then, as now, Abedin believed there was something irresistible about Hillary's presence. "I've seen it again and again," she says. "Once people see her and meet her, they change their minds."
You can see why the First Lady wanted Abedin. Fluent in Arabic and a practicing Muslim born in Kalamazoo, Michigan, to a Pakistani mother and an Indian father, Abedin moved with her family to Saudi Arabia when she was two years old. There, her father, an Islamic scholar, founded an institute devoted to fostering religious understanding between the East and West. Her mother, a sociology professor, helped create one of the first private women's colleges in the country. "I grew up in a very traditional family," she says, "but there was never anything I didn't think I could do."

Fashion is not the first thing that comes to mind when one thinks of traditional Muslim values, but Abedin knows the truth is more complicated. "I remember going with my parents to weddings where the women would arrive covered in black veils, but underneath they'd be wearing the most exquisite brightly colored Dolce & Gabbana suits. They were like peacocks showing off their tails." The women in Abedin's family (she has two sisters and a brother) would order knockoffs based on the clothes found in the pages of Vogue. To this day, she keeps those back issues under her bed in her Washington apartment. Among Clinton's inner circle, Abedin has been referred to as "Hillary's secret weapon," but last March the New York Observer profiled her (without her cooperation) in an article titled "Hillary's Mystery Woman: Who Is Huma?" The takeaway message was that Huma is preternaturally calm under pressure and one fine hottie. "Hoh, my God," James Carville panted to the reporter, "have you seen Huma? She takes your breath away." Huma was taken aback. "I like to be well put together," she says, "but I was really, really surprised by the perception in the article. I don't think of myself that way at all." "I don't know,"

Philippe Reines, Senator Clinton's spokesperson, pipes up from the backseat of the Jeep Cherokee Huma has borrowed to get around D.C. for the day. "I would say the women in our office definitely watch what Huma wears." And sometimes the men, as well.
"Remember that day you wore a belt around your shirt without loops?" Reines asks. "No," Abedin answers. "Oh, yeah. That day all the men took their belts off and wore them around their shirts, just to show how stupid it is to wear belts without loops." Just to show that she has a sense of humor, Abedin laughs.

Abedin claims to love politics, but after talking to her for a while, you begin to suspect otherwise. It's not the horse race or the ins and outs of policy that get her animated. What she really seems to like is the way that politicians are uniquely invested with the power to help individuals-as with, say, the woman whose legs were badly broken by a piece of plane fuselage on September 11. After reading about Deborah Mardenfeld's plight, Clinton and Abedin went to visit her several times in the hospital. The first time, Mardenfeld wasn't even conscious. The next time, she was awake and told her visitors that she was a big Meryl Streep fan. Clinton had a set of DVDs starring Streep sent to the hospital. Over the next few years, Huma kept in touch with Mardenfeld, helping her cut through red tape to get the right doctors and treatment. Two years ago, Mardenfeld was able to dance at her own wedding reception. Both Hillary and Huma attended. "To me, that's one of the blessings of this job," Huma said. "In some tiny, tiny way I am part of history, but I am also able to help people."
"What Hillary and Huma share," says Steenburgen, "is an absolute lack of jadedness. In that job, it's easy to become numb because so much of what you hear is a complaint. But they have both managed to maintain a sense of outrage and sorrow. If anything, I think Hillary is feeling things more intensely than when she was younger. I don't know if it's a chicken-or-the-egg thing-Hillary affecting Huma or the other way around-but together they work." After hearing from so many people that Huma Abedin is the master of the velvet no, I finally got to experience it firsthand. Following Hillary's breakfast in the Hilton ballroom, her traveling press person introduced me to the senator so I could get a quote about her employee. Just as I was about to ask, Abedin swooped in. "No, no, no," she said, waving her hands. "She has to go." Clinton smiled and shrugged. "I go where I'm told," she said.

Wednesday, April 6, 2011

Google, 90210


The search engine go-to wants to expand further into entertainment, also housing its new office in Beverly Hills with YouTube staffers.

The only question is: When you Google Map the new 90210 address on your phone, will it give you the right address? Or direct you to Montebello?

Wednesday, March 23, 2011

Regal Showstopper


Elizabeth Taylor wearing a headdress in the film Boom! (1968), by designer Karl Lagerfeld, then with Tiziani of Rome. Going into Netflix queue!

Tuesday, March 15, 2011

Mob Chicks

Classic rock cable channel VH1 has definitely expanded its programming base. It used to be known among lovers of acts like The Who for its rock documentaries, live music performances on "Unplugged", and "Behind the Music".

VH1 is coming out with yet another new reality show, "Mob Wives", in partnering with The Weinstein Co. and Ben Silverman's new company, Electus. The premise of the show is based around women that have been associated with the mob or have had their lives affected by having "connections".

Even though the show airs April 17th, the show hasn't really had any marketing effect I've seen, whatsoever. That is, unlike the Showtime newbie Shameless, which lived up to its namesake and was plastered on every bus, running ads on the channel ad nauseum. Regardless, maybe it's for the cast's better interest this show is underplayed.

The concept is unique, if not for anything but the voyeuristic possibility of jinxing one of the cast members into saying too much. We all have seen enough reality TV to know what could happen here. There's a weird karmic effect with the mob, not dissimilar to the laws of Facebook; things just happen to crawl out of the woodwork by themselves. Still, I hope this reality show can restrain itself where necessary (re: trash factor on Jersey Shore).

Trailer here.

Friday, March 4, 2011

Keeping "Tags" on Facebook


http://www.fastcompany.com/1713914/goldman-sachs-invests-in-facebook-in-50-billion-valuation


Friday, February 11, 2011

Facebook: Utility for Revolutions


Facebook page Honor Revolution encouraged Palestinians to protest against Hamas brutality in the Gaza Strip today. I couldn't search for the name on facebook, either. Can't wait until facebook starts advertising or monetizing its successes, whichever comes first:

It's easy. It's fast. It's facebook! Only $19.99 for a yearly membership, Start your revolution today.

But, oh wait. It will probably never do either of those things, because it will be too busy becoming it's own version of an advertising agency--Advertising 6.0.

Case in point. Check out this "success story" on the comprehensive Advertising page of facebook's website:

So basically, whether you're a small business or behemoth advertiser, facebook will knock all other interactive marketing tactics on their bum. After all, facebook is about directing advertising to the persona of You. You in this case being, well You.

As long as Mark Zuckerberg continues to lord over the majority of ownership, it's hard to argue with a business model like that. At least for the moment.


I Heard You Say

Watch out for the fur brigade! New video featuring the Vivian Girls.



Their latest album, Share The Joy, is out 4/12 via Polyvinyl.

Tuesday, January 4, 2011

It's 4AM Somewhere



Perhaps one of my new favorite fashion blogs, fashion designer alice + olivia's "4AM Finds" is a compilation of eye candy like those found in a magazine editorial.

And ingenious in nature: One imagines the blogger herself scouring the web at 4 AM from a late night out, not yet ready for sleep. A mention in Mashable's 7 Stellar Examples of Branded Content from the Fashion Industry.

Cinematic Inspiration

Film logo fetish's dream.